PRESS - Paul Cameron DP

INDIEWIRE

Taylor Sheridan’s ‘Special Ops: Lioness’ Breaks All the Cinematography Rules – and It Works

SCREENRANT

Special Ops: Lioness Director Paul Cameron On Making New Show With & Without Taylor Sheridan

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ICG MAGAZINE

Forget Me Not

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BRITISH CINEMATOGRAPHER

The Future is Now

SONY CINE

Paul Cameron ASC sets this Futuristic look for “Reminiscence”

SciFiNow

“Reminiscence” Lose yourself with Noir, Romance and Optomistic Dystopia

THE CINEMATOGRAPHY PODCAST

PAUL CAMERON, ASC talks about wearing two hats for season 3

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SHOOT ONLINE

Paul Cameron – Westworld Cinematographer – Garners Another Emmy Nomination 2020 – 1 Hour Single Camera

HBO

Westworld: Creating Westworld’s Reality – Behind the Scenes of Season 3, Episode 1

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KODAK

Paul Cameron wears two hats for ‘Westworld’

COLLIDER

Exclusive: ‘Westworld’ Director Breaks Down That Shocking Episode 4 Twist

COLLIDER

‘Westworld’ DP Paul Cameron on creating a New Reality for Season 3 and Directing Episode 4

ART OF THE SHOT PODCAST PLAY PODCAST

Paul Cameron, ASC on Westworld & the Craft of Cinematography

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GO CREATIVE PODCAST

Westworld Season 3 Cinematography (PODCAST with Paul Cameron, ASC) GCS216

ASC MAG

Clubhouse Conversations – Westworld

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MUSICBED BLOG

Developing Westworld’s New World with Paul Cameron, ASC

AMERICAN CINEMATOGRAPHER Dec 2019

“No Escape” 21 Bridges/Paul Cameron Feature Article

VARIETY

‘21 Bridges’ DP Seeks New York-Style ‘Street’ Cred in Philadelphia

STUDIO DAILY

Paul Cameron, ASC, on Lending the Hint of a Vintage Look to 21 Bridges

ZEISS SUPREME LARGE FORMAT LENSES

Paul Cameron ASC speaks about the new Large Format Zeiss Supreme Lenses and his experience shooting the short “TIES” for Director Laura Stabilini.

C I N E F A D E

DP Paul Cameron ASC used Cinefade at a pivotal moment in The Commuter (2018) during a scene in which Liam Neeson’s character gets fired from him job. The depth-of-field gradually becomes blurry as we fade from a T5.6 to a T1.4 on a Leica Summilux-C 29mm Lens.

“Director Jaume Collet-Serra and I wanted a svere depth-of-field shift to accentuate his experience-something to isolate him from his surrounding world. Cinefade was exactly what we wee looking for” Paul Cameron ASC