DP Paul Cameron ASC used Cinefade at a pivotal moment in The Commuter (2018) during a scene in which Liam Neeson’s character gets fired from his job. The depth-of-field gradually becomes blurry as we fade from a T5.6 to a T1.4 on a Leica Summilux-C 29mm Lens.
“Director Jaume Collet-Serra and I wanted a severe depth-of-field shift to accentuate his experience-something to isolate him from his surrounding world. Cinefade was exactly what we were looking for” Paul Cameron ASC
